Sunday, 19 May 2013


  • spring.subtleties
    seattle, wa
    16 may 2013 - g10, f/4 1/160s, iso-200

    sometimes stepping back outside with a flashlight after checking the mail is worth it. even if you're going to look a little bit crazy but the thing is, sometimes life might be telling you things, but you just have to be looking around. you can't let something surprise you if you don't give it a chance.

    ~ = ~

    speaking of, this film was a pleasant, feel-good surprise:


    populaire :: a film by régis roinsard

    a romantic comedy about typing (yes, with typewriters)? i like to catch at least one french film each time SIFF rolls around mainly to keep my french listening skills from going completely dull, but also because i've loved the way the french filmmakers seem to have a mastery of the human condition. they know how to work tension and release, or to make you clearly feel a given emotion in the most elegant of ways, whether it be a serious film or even in a romantic comedy.

    it's one of the few times where i get to see so many foreign films in one go, so i try to make sure i take advantage of the opportunity. and with this film, i was left smiling because it left you feeling so good. naturally, there isn't anything groundbreaking in this film, but if you just let go of this elitist need to always find a film that does something different or something that you've never seen before, this takes something that's been done before and it does it well. it made you feel really, really good. and i think that's why i fell in love with this film.

    ~ = ~

    on a side note, i'm noticing that as a result of this film festival, i'm getting more and more familiar with the actors and actresses of french cinema; i think the first time i had seen romain duris et déborah françois two were in different SIFF screenings in different years, paris and tribulations d'une caissière.

    connections are happening. :)

    anyway, i sure hope they release this soon; i'd like to add it to my personal collection.

    it's been a feel good type of weekend, if you ask me. after seeing this, i couldn't help but smile even bigger because in the back of my mind was the knowledge that two time zones away, a friend (that i made more or less by surprise) was getting married, but then again, that's something that'll make me smile regardless. so happy for you, sleepysouthie--congratulations to the two of you!

    tomorrow...err...later today, playing in a concert.

    magically,
    -j

Saturday, 18 May 2013


  • open.space
    seattle, wa
    17 may 2013 - g10, f2.8 1/5s, iso-200

    creativity always strikes me late at night. on weekends after studying, which is when i'm able, i tend to take it up on its offer to play. it's like an open seat on a warm night, inviting you to have a seat and watch the world go by, entertaining whatever thought comes to mind and just see where it goes. it seems like if we let our thoughts go places, in due time it'll take the rest of us with and we shall go places, too.

    ~ = ~

    this time of year is one of my favourite times of the year; it's when the seattle international film festival kicks off and with the first two films screened today, they've kicked this year off to a wonderful start.

    the film that kicked off my 2013 SIFF was actually a documentary:


    stories we tell :: a film by sarah polley

    surprisingly beautiful, i must say. don't rush out of the theatre too soon at the end, though. she'll sneak one more jaw dropper in there.

    magically,
    -j

    Currently
    Take This Waltz
    By Seth Rogen, Michelle Williams, Luke Kirby, Sarah Silverman
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Sunday, 12 May 2013


  • challenge.milestones
    seattle, wa
    9 may 2013 - gopro HD hero, exposure data unrecorded

    the interesting part about training is that when you have an instructor that constantly pushes you even on "easy" days, pushing you to the point until you start to feel like you're on the edge of your ability and your ability to keep the composure of the situation (and sometimes just a little bit beyond just to let you know what it's like), it makes some of the milestones on the horizon seem a bit less daunting when you get there. all i can say is that with each lesson my appreciation of pilots grows even more than it had been even before i started, and for all of the people going through lessons, or have finished their lessons and have earned their private pilot certificate (and i place great emphasis on the word earned), i completely appreciate what it takes to fly even a relatively simple airplane.

    and so, the first day in the eleventh year of this blog, i completed my first solo flight. all i can say is thanks to my brother for keeping me inspired and for my instructor that keeps pushing me each lesson, throwing things at me just to let me see how i fare when things start to fall apart. there's always something to learn. it's consumed my life for the time being, but the reward is very clear, and that first solo, with the challenge, the rush, and the views, was just a very small taste of what's on the other side--and it was absolutely wonderful.

    can't stop learning. must keep learning.

    magically,
    -j

    Currently
    Reality Bites (10th Anniversary Edition)
    By Winona Ryder, Ethan Hawke, Ben Stiller, Janeane Garofalo, Steve Zahn
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Monday, 06 May 2013


  • learning.observations
    seattle, wa
    30 april 2013 - g10, f/4 1/320s, iso-200

    sometimes it's hard to fully appreciate what some of your pilot friends do when they take you for rides until you start going through all of the things they've gone through. so far, every pilot i've talked to has asked about, and always spoke fondly of a particular milestone at about the halfway point in their flight training, and they always seem to talk about "the smile" and "the feeling."

    it's really intimidating yet exciting to hear about at the same time...

    magically,
    -j

    Currently
    FAR/AIM 2013: Federal Aviation Regulations/Aeronautical Information Manual (FAR/AIM series)
    By Federal Aviation Administration (FAA)
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Thursday, 02 May 2013


  • sky.wander
    seattle, wa
    30 april 2013 - g10, f/4 1/1600s, iso-200

    they thought the people who were trying to fly for the first time were crazy because human flight was impossible. of course, that was until they proved them wrong. in the meantime, you'll find me "chair flying," flipping switches and moving levers and slides that that don't exist, looking a bit crazy but it'll make sense when you put an airplane around me.

    we have to be ready to look crazy before we do amazing things. perhaps that's why they're amazing.

    ~ = ~

    in other news, i fell for this:

    :)

    magically,
    -j

    Currently
    Information Manual: Cessna 1980, Model 152
    By Cessna Aircraft Co.
    see related

Saturday, 27 April 2013


  • fresh.eyes
    seattle, wa
    27 april 2013 - g10, f/2.8 1/4s, iso-80

    it's always a great novelty to move to the big city, let alone a place where tourists from all over will plan a vacation, where strangers near and far will crowd the city streets, taking pictures of everything, bouncing from tourist attraction to tourist attraction, but the known challenge is to keep seeing this city which you make your own in new and fresh eyes. there are the favourite views, and they may be easy to find, where the scenic vistas that are filled with people (and great for people watching), but finding a new way to see the same landmarks or finding hidden views becomes more and more difficult with each visit. the favourites become comfortable and reliable and the hidden trap is that we find it more and more difficult to break free from its increasing gravity that we risk the mere possibility of depleting it of all that it's worth.

    maybe that's why it's important for us to stop every so often and look around. we can look at the same view and see if there's anything different, but even that will become more difficult each time. we end up having to look to our sides, look behind us, look above us or even below. we know our favourite routes in and out of our favourite places, but have we seen what's going on behind us whenever we walk these paths?

    yes, sometimes that's all it takes.

    when we keep seeing the same things, especially if we don't like what we see, we have to do one thing: change it. the interesting part, though, is that even if we like what we see, it never hurts to change it around every so often as well. in order for anything to be comfortable and familiar, it first had to exist outside of our comfort zone. we don't just grab it--we have to grow into it.

    photography, for me, started as a hobby with a distinct technical challenge, which quickly evolved and persists as an artistic challenge, but throughout the whole process it was always, always, always a new way of looking at life. every day can be a work of art if you want to see it that way. we can choose this.

    and this, dear stranger-friends, is why i like to take so many pictures.

    magically,
    -j

    Currently
    Jet Sounds

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Monday, 22 April 2013


  • spring.work
    seattle, wa
    21 april 2013 - g10, f/2.8 1/40s, iso-800

    get up close to your life and look at the details, then step back and look at the big picture. don't forget to look at everything.

    spring is coming together. slowly, but surely.

    always magically,
    -j

    Currently
    Brain Games
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Sunday, 21 April 2013


  • hot.shop
    tacoma, wa
    20 april 2013 - iphone 5, f/2.4 1/20s, iso-320

    after a quick stroll through the museum gallery, i took a seat in the hot shop and watched the artists trickle in from their break and start producing works of art with such a mesmerising level of teamwork and communication that three hours had gone by before i noticed i needed to make a quick trip to the gift shop to find a few postcards before the museum closed.

    i was captivated by these artists working with a medium they knew inside and out--all of its nuances, all of its capabilities and limitations, knowing how fast to work and how slow to work, knowing what can and cannot be done, how things should and should not be done, taking all of these pieces of knowledge and wisdom to turn a vision into reality.

    what i'm getting at is that with all of the focus lately on STEM, in reality, there needs to be more focus on STEAM. we engineers could learn a lot from watching these artists: a complete understanding of our materials, working in a proper balance of theory and reality, and creativity to drive innovation. yes, a strong base in theory is necessary, but if we can't communicate our ideas, or if we do not have a practical understanding of the materials with which we work, our designs will only be flawed and there's a bad chance we may not have the understanding to fix it.

    we could learn a lot from artists.

    we need art.

    ~ = ~

    the more we can think out of the box--to think creatively, to think like artiststhe better off we'll be. if you ask me, we need to do this, no matter what we're doing.

    magically,
    -j

    Currently
    Noises Off...
    By Carol Burnett, Michael Caine, Denholm Elliott, Julie Hagerty, Marilu Henner
    see related

Wednesday, 17 April 2013


  • globe.trot
    luzerne, switzerland
    14 march 2009 - eos-1ds mk1, f/10 0.5s, iso-400

    keep your eyes open. you might see people that might know people, but whatever the case may be, you will always know poeple that will know someone else, and sometimes a name you might see in passing might cross your path again. the world is smaller than we think, and when we pick up a book that catches our interest from the bookstore shelf and read it through, there might be a surprise waiting for us in the back pages--a surprise that has been with us all along, just waiting for us to discover it.

    it might be a big surprise or it might be just a little one to make us smile, but all of it will keep life interesting.

    ~ = ~

    sometimes i like to think about the strangers in some of the pictures i've taken on my adventures, some of the faces in the pictures that my friends have taken on their journeys, and wonder when the next moment will come when i see somebody i know in another friend's picture--where two friends of mine, strangers to each other, cross paths--unknowingly connected...

    keep those eyes open, stranger friends.

    magically,
    -j

    Currently
    Cloudbusting

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Monday, 15 April 2013


  • sky.line
    seattle, wa
    15 april 2013 - iphone 5, f/2.4 1/120s, iso-80

    i take a lot of pictures; there is no hiding this. it's because i can't help but walk around this world, on these streets, in this wonderful city i now call home, and see everything as some potential work of art. i mean, we can choose to find beauty in everything around us. we can choose this. it's a bit difficult to find in trash, maybe, but when the sun sets and a towering cumulus cloud is taking on the paint of the sun, all you have to do is make sure your eyes are open. the scene is setting itself for you.

    photographs are everywhere (and yes, there are extremes on both ends), and all we need to do is stop to see them. it's as simple as that.

    ~ = ~

    while i've been really impressed by the pictures my phone's camera has been capturing lately, i do hope to find some time in the near future to go on a proper photowandering. with my other cameras. in the meantime, back to learning how to fly...

    magically,
    -j

    Currently
    Once In A Lifetime
    By Talking Heads

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Sunday, 14 April 2013


  • shared.experience
    seattle, wa
    14 april 2013 - iphone 5, f/2.4 1/1400s, iso-50

    the plane received its certificate of airworthiness in october of 1980, and i'm sure has seen (and experienced) its fair of student pilots, many of whom have gone to fly much bigger, much faster, much more advanced airplanes. we all have to start somewhere, and i think it's hard not to have some sort of appreciation for this design, its limitations, and exactly what it can teach someone when it comes to safe and knowledgeable wanderings in the sky. every 100 hours it undergoes a check-up above and beyond its annual, and the fun part is it seems to have signs of its own personality--how the panels overlap, the cut-outs for the rudder cables were shaped to fit by experienced hands, the way its engine sounds when it starts, the chop of the propeller when it's at idle, and how it behaves when you lean the mixture a bit once the oil pressure is at its nominal level.

    everything tells you something: from the instruments, the sounds, the feel of its behaviours, but it takes a keen instructor to help you begin to learn its language, and i've been so fortunate to have one that is doing just that. some days can be frustrating when it feels like i've been placed in a situation without much guidance, but there's a level of trust in the instructor that is there, and knowing that they're doing this because they think i can find a way to learn how to keep myself afloat is both scary yet reassuring.

    combined with all of the advice that he and my brother have given me (and have yet to give), this has been an amazing adventure so far, and i can't help but keep looking forward to the next challenge. my instructor is relentless, never letting me stagnate or come to a complete rest; he has been moving me along and making sure i've been moving right along. it's been quite the challenging experience, sometimes overwhelming, but never helplessly so.

    when and if you're able, this is a journey that i highly recommend.

    magically,
    -j

    Currently
    Tear Down These Walls
    By Billy Ocean

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Friday, 12 April 2013


  • learning.steps
    seattle, wa
    11 april 2013 - iphone 5, f/2.4 1/530s, iso-50

    personally, as a student, i feel like there shouldn't be any overly "easy" days behind the controls during the learning stages--that perhaps the instructor can instinctively see your weak spots and help you work to strengthen them but yet make sure it happens in a manner that builds confidence and positive change and...anyway, even on the more challenging days, there's often a glimpse of the reason why you're subjecting yourself to all of these trials.

    having secured the airplane after a relatively short but challenging flight in the pattern, i caught a glimpse to the west of why i'm going through all of this. in the end, i'm pretty sure it's going to be worth it, and while i can't wait, i also can't be rushing through all of this carelessly. it's been tough to get this far as it is, and i don't expect it to get easier until the day of the practical exam, but it's good to still know that the goal is still in sight; there are no plans to lose sight of the goal, either.

    forget regret / or life is yours to miss.

    magically,
    -j

    Currently
    Rent (2005 Movie Soundtrack)

    see related

Monday, 08 April 2013


  • getty.set
    los angeles, ca
    8 december 2012 - g10, f/3.2 1/60s, iso-80

    i flew to los angeles in december to see a magic show, and i was going to go regardless of whether i would be alone or have friends with me, so when i proposed the idea to two friends that i had owed a visit (overdue by at least two years), i was starting to get excited when they were interested! see, there is so much bad magic out in this world that it's easy to be immediately compartmentalised and mocked under the stigma created by it and in all honesty, can you blame those that do this? so, when i heard about this show in all of the right places, from all of the right sources, i knew i couldn't pass this opportunity up.

    there's a reason why i revived that hobby i put away toward the end of high school, and it's all driven by the desire to keep some ounce of creativity and imagination alive and well. there's this drive inside of me to keep alive a childlike (not childish) fascination with thinking so far out of the box that the effect of the seemingly impossible is, well, possible.

    inherently in all of this, however, is a small dilemma: fascination and wonder are primarily products of a lack of knowledge, yet as people are normally driven by a thirst for learning, our seeking knowledge ends up doing away with a few select pieces of amazement as a result.

    perhaps the lesson instead becomes developing some instinct or understanding of what knowledge is worth seeking and what knowledge is best left as a mystery. knowing why planes fly in the interest of becoming a pilot? that's definitely a required piece of knowledge, but it is highly unlikely that that knowledge will erase the fascination of seeing the world from a very unique viewpoint. to watch a performance of magic? that's a piece of knowledge that many, many times i am simply content with the feeling of being completely fooled. it doesn't diminish my appreciation for the skill by not knowing what set of moves or gimmicks were used to provide some desired effect, what i appreciate is that someone selected and executed some set of techniques that left me with an impossible result. and you'll always find me smiling because of it.

    i think, the more we try to focus on demanding a magician baffle us by not letting us catch them, the more we miss out on the rest of the magic that is happening around us. we are so busy expecting something or looking for something that we want to happen that we miss some larger point. we become overly suspicious of everything that even if we are truly fooled, we will never be satisfied. this is especially true if our learning is largely driven by our fears of the general unknown and rarely is this type of desire for knowledge (if ever at all) healthy.

    my point is: revel in the mystery. there are so many unknowns in all of our lives, and one can't have a pleasant surprise when they know it's coming (and it's important to note i am talking about a pleasant surprise). yes, learning tends to erase certain opportunities for wonder, but, again, i firmly believe that being able to know instinctively what is something to learn versus what is something to keep as a mystery is something that is an important part of life.

    and developing that instinct, if you think about it, is still learning in itself.

    ~ = ~

    music tends to drive my mind to think sometimes.

    there's magic in the tingle in our fingers when we come in contact with others, and there's magic in the heartbeats (heard or even unheard) in the close proximities of a hug, there's magic everywhere around us and we can only find it if we open all of our senses, sending and receiving life. life.

    fingertips alive. superhuman touch.

    ~ = ~

    there is much intense learning that is going to happen in these coming days, especially leading up to the first stage check; this is no mystery. this is simply an understood and accepted part of a passionate chasing of a childhood dream of flight--all of this knowledge is necessary to realise a much greater magic at the other end of all this hard work. flight is magical, and if you want a small clue in understanding why i am trying to learn how to fly...

    ...here's something to think about: magic isn't always top hats and rabbits, nor does it need to be. any kind of magic, however, has one very important characteristic: it's only magical when it's shared

    ~ = ~

    a few more minutes of studying, then a wish of good night to all. dear stranger friends: i hope you are well.

    magically,
    -j

    (thanks, g and m, for being so willing to share in the wonder. it truly meant a lot. :)

    Currently
    Black Swan
    By Athlete

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Sunday, 07 April 2013

  •  

     


    face.lift
    seattle, wa
    29 march 2013 - g10, f/7.1 2.5s, iso-80

    we balance the old with the new, reaching an equilibrium that will stabilise us when we need to remain centered and aware. we look above us at the stars as people looking up, and it is balanced by people looking down at us as a space station quietly wanders past. we hear of struggles of power, we hear about acts of kindness. they happen in lands far away, and sometimes they happen so close to home, we may find our comfort balanced with a bit of fear.

    we balance what we've seen and experience with what we see and are experiencing. we live these lives with our hearts on our sleeves, balancing intensity with peace, balancing understanding with just the right amount of guarded mystery to keep us with the right amount of imbalance that propels us forward. we learn to love as friends as much as we love as lovers, defining the line between the two, knowing the right time to say something, how much to say, and when to hold back. we learn to show our wisdom and to balance that against the desire to inspire learning. 

    we can no longer "...choose where we come from, but we can choose where we want to go from there."

    we can consider objects meaningless, but we must balance this with knowing that life--these lives we live--are only meaningful because we choose to give them meaning. yes, stranger friends, the experiences and lessons we end up taking from each day's interactions and events we use to give meaning to all of our actions, perceptions, pre-conceptions, and dreams. the further we lean toward one side, the more toward the other side we will need to go to achieve balance and once we are able to re-center ourselves, we can dig our roots even deeper into the experiences that ground us and make us fully aware...

    ...fully alive.

    occasionally, we balance these periods of introspection with the need to do that one thing we really need to do in life: participate.

    magically,
    -j

    Currently
    The Perks of Being a Wallflower
    By Emma Watson, Logan Lerman, Ezra Miller, Kate Walsh
    see related

Yohannis

  • Visit Yohannis's Xanga Site
    • Name: j
    • Location: Seattle, Washington, United States
    • Birthday: 2/15/1980
    • Gender: Male
    • Member Since: 5/8/2002
    • Lifetime

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